Lady Gaga

Academy Award winner and 14-time GRAMMY-award winning artist Lady Gaga is bringing her tour, The MAYHEM Ball, to Chase Center on Tuesday, July 22, Thursday, July 24, and Saturday, July 26.

Tickets go on sale to the public on Tuesday, April 29 at 12 p.m.

For more information on her shows, visit here.

The fastest-selling international release of the year, MAYHEM debuted at No. 1 in 12 countries, including the U.S., UK, Germany, Japan, Italy, Canada, Australia, France, Spain, Mexico, Brazil, and South Korea, and landed at No. 2 in the Netherlands and Sweden—further cementing Gaga’s global dominance. “Abracadabra” entered the UK Singles Chart at No. 3 and the UK Airplay Chart at No. 2, while in France, MAYHEM posted the biggest first-week sales since Born This Way. In Japan, it ranked among the biggest international albums in recent years; in Finland, it was the only international album to crack the Top 10; and in Ireland, three MAYHEM tracks landed in the Top 40—reinforcing its worldwide impact.

Marking her biggest streaming week ever, MAYHEM amassed over 240 million streams worldwide in its first week alone, and has since generated 6 billion global all-time streams to date. MAYHEM also marked her biggest vinyl week ever, with 74,000 units sold across 14 collectible variants, some of which featured exclusive bonus tracks like “Kill for Love” and “Can’t Stop the High.” The digital edition of the album includes music videos for “Die With a Smile,” “Disease,” and “Abracadabra,” all of which helped fuel the album’s massive first week impact.

MAYHEM marks a return to Gaga’s pop roots, reaffirming that she is a master of reinvention, crafting an album that is as bold and eclectic as it is deeply personal. A declaration of artistic freedom, it embraces the fractured pieces of oneself and how they come together to form something unexpected and beautiful. The album mirrors this concept with its diverse sonic palette and thematic layers, combining elements of chaos, defiance, and vulnerability into a cohesive artistic statement. Gaga describes this process as assembling a shattered mirror: “Even if you can’t put the pieces back together perfectly, you can create something memorable and whole in its own way.” 

Critics have praised MAYHEM as a bold return to form that reaffirms Gaga’s status as one of pop’s most inventive voices. The New York Times noted that in an era of so-called lowercase pop, Gaga “still has the caps-lock on in a bold, 96-point font,” applauding her precision and flair as a performer. The Los Angeles Times called the album “a winning reclamation of her trademark sound,” while The Wall Street Journal said it “easily ranks with her best.” The New Yorker described it as “instantly lovable” and “bombastic,” with hooks that “overwhelm the brain with dopamine.” The Atlantic highlighted its “warm, strangely moving” quality and called it “a muscular, gutsy, never-a-dull-minute work of bricolage.” Pitchfork characterized MAYHEM as a “maximalist pop symphony,” bursting with hooks and indulgent production flourishes, while Rolling Stone praised Gaga for sounding like her most authentic self, calling it “the year’s strongest pop release.” Billboard wrote that the album “refuses to be easily categorized,” weaving together industrial techno and soulful balladry into a statement of intentional disorder. Vogue described it as Gaga’s “rawest and most experimental music to date,” and Variety noted that it revitalizes the touchstones of her earliest work while remaining “contemporaneously fresh.”